In the series All Your Cities Belong To Us (2013-18), monolithic structures inhabit the urban
landscape of a futuristic yet present-day London, giving Campos the opportunity to play with
multiple signifiers (from terrorism and alien invasions to gentrification and protest), their
representations, and resulting expectations by constantly frustrating any final resolution,
subverting preconceptions and placing them in a state of estrangement. In doing so, the
massive structures in the videos become an open repository for meaning: mute witnesses of
an unfolding, yet-to-be-written story.